Arabesques I Have Known, 17:03
Etudes ‘Diminishing Return’, ‘Quietude’ and ‘Narcissitude’, 12:25
Exact Change (Heads), 4:13 Helen Blackburn, flute, James Barger, saxophone
Lee , 22:08
Locking Horns, 18:27 Daniel Grabois, cor, Sequitur, dir : Harold Meltzer
Persistent Memory (Marilyn Nonken, piano, Boston Modern Orchestra Project, dir : Gil Rose)
I. Elegy, 9:05
II. Variations, Scherzo, and Variations, 12:00
Piano Concerto (Marilyn Nonken, piano, Boston Modern Orchestra Project, dir : Gil Rose)
I. Freely, 9:29
II. Adagio, 6:53
III. Scherzando, 5:28
IV. Poco andante, quasi adagietto, con gusty, 12:03
Piano Concerto No.2 (Amy Briggs, piano, Boston Modern Orchestra Project, dir : Gil Rose)
I. Molto Vivo—Half tempo—Double tempo—Molto vivo—Half tempo, 13:47
II. Elegy for Milton: Slow—Freely, expressive—Allegro—A bit slower—Cadenza—Tempo primo , 14:29
III. Scherzo—Cadenza—Tempo primissimo—Scary fast, 14:35
Preludes for Piano (Karl Larson, piano )
No. 1: Moody, My Doom, 2:47
No. 2: Never Odd or Even, 3:59
No. 3: Too Hot to Hoot, 2:50
No. 4: Pull a Wall Up, 2:35
No. 5: No, It is Opposition, 3:42
No. 6: In a Regal Age Ran I, 6:13
No. 7: Dr. Awkward, 2:31
No. 8: So Many Dynamos, 3:28
No. 9: Puff Up (If I Puff Up), 3:00
No. 10: Air an Aria, 4:46
Stolen Moments (Sarah Bob, Boston Modern Orchestra Project, dir : Gil Rose)
I. Fast, 7:44
II. Slow and expressive, 7:31
III. Sultry, 5:26
IV. Vivace, 6:23
Ten of a Kind (Symphony No.2) , 7:36 The President's Own U.S. Marine Band
Winged Contraption, 9:23 Boston Modern Orchestra Project, dir : Gil Rose